Morning Bird

In the wee small hours of the morning, after I’ve been roused by strange noises, strange intestines, strange movements, or strange music, I often think about my dog. Muriel’s sleep is deep enough that on my own sleepless nights I can (quietly) move around a bit upstairs, as long as it’s not yet 4 am.

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Crankcast, Vol. 4: Crankenstein Talks Murder Ballads (and a Site Update)

I’ve written a bit here about Crankenstein and music in the past — see “By Way of Sorrow” and “Jesus to a Child” — and here we are in conversation about one of her favorite genres: depressing and distressing Celtic and Appalachian folk music. There are no explicit lyric warnings on these songs, but would

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Gone Girl

Watching Right of Way recently, with Bette Davis and James Stewart as elderly spouses conspiring to end their lives together, I couldn’t help but think of other films with suicidal characters. Two were mentioned unfavorably in my review: Hal Ashby’s Harold and Maude and Tom Moore’s g’night, Mother, adapted by Marsha Norman from her play.

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